Tiger Aspect Productions (Peter Thornton) asked me to create a very short title sequence for Catherine Tate's Nan specials, which was not as straightforward as it seemed at first glance.


 This sequence is a composite of at least 4 different sections of rushes, rotoscoped and blended together with some video manipulation, and then finally colour graded, all to fit the right reaction and timing for the logo appearing that I had to design as well.